From Mongolia – Form and Air

Mongolia does not lend itself to the 4×6 frame. It does not fold itself down to fit in the constrained rectangle of the flat image. It’s stubborn in that way. With Mongolia, like with everywhere else, I used my lens to interrogate the landscape, figuring out Mongolia by finding a way to fit it into a 4×6. 

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Watch’s Digging

The watch itself is a noticeably large rock of a watch attached to my wrist. If I was ever attacked it would be a deterrent with its sheer size alone. It never comes off except the once a month it needs to be charged. I shower with it.

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Yecheon Blues

This is what I’ve come to know Korea as and on these mornings this yellow pours out across the landscape coloring my world. It’s like a time-worn photograph that I’m trapped in; This is Korea to me. My hands escape inside my coat pockets so they don’t turn a deep purple in this cold bus. I press my nose down into my scarves and close my eyes.

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From Nepal – The Artist (Part Two)

Time continues to slow to a crawl. I’m stuck in my head. I can’t see a way out. I realize at this point I have no escape. I can only think of one option. Honesty is my Hail Mary. Honesty isn’t an exploitable weakness here, it’s the perfect retaliation. It’s the antithesis of their game, it allows me to run in the opposite direction of where they want me to go. But I need to be stubborn.

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From Nepal – On Arrival

This is where I see a man in my periphery, as my eyes darting back and forth trying to get a hold of the situation, look behind him across the street then he looks at me and says “Stephan?” But I don’t notice where he was looking at or why he did it; the mob he is a part of is distracting and it gets lost in the static of the situation.

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