In a crowd filled with seemed like every other person was lugging a camera with telescopes on the ends of them, I stood as flocks of models and photographers passed by with my own camera at my hip that looked like a point and shoot you bring on a family outing. But this was Seoul during Fashion Week. Everyone here had high powered lenses, the genre almost requires it. And here I was, not intimidated, but unexpectedly excited, searching with my eyes for something to shoot.Read more "The Increasing Apathy of Fashion: Sights From Seoul’s Fashion Week."
Mongolia does not lend itself to the 4×6 frame. It does not fold itself down to fit in the constrained rectangle of the flat image. It’s stubborn in that way. With Mongolia, like with everywhere else, I used my lens to interrogate the landscape, figuring out Mongolia by finding a way to fit it into a 4×6.Read more "From Mongolia – Form and Air"
This is what I’ve come to know Korea as and on these mornings this yellow pours out across the landscape coloring my world. It’s like a time-worn photograph that I’m trapped in; This is Korea to me. My hands escape inside my coat pockets so they don’t turn a deep purple in this cold bus. I press my nose down into my scarves and close my eyes.Read more "Yecheon Blues"
When I came to came to Korea I did not get it. I couldn’t find a way to make it work within my 2×3 frame. It was challenging coming from California, with such a drastically different look and feel to it. I knew this on some intangible level, I didn’t realize what that actually meant, and I didn’t realize I didn’t realize it.Read more "The New Year Retrospective"