A movie plays in my head. It’s my bike ride home. The one I’m on right now. My head swerves back and forth on the swivel of my neck, overly relying on my eyes frantic movements to always be aware of my surroundings as I ride through the rural city. I watch this movie as my body acts it out.Read more "They Still Collect Cardboard"
In a crowd filled with seemed like every other person was lugging a camera with telescopes on the ends of them, I stood as flocks of models and photographers passed by with my own camera at my hip that looked like a point and shoot you bring on a family outing. But this was Seoul during Fashion Week. Everyone here had high powered lenses, the genre almost requires it. And here I was, not intimidated, but unexpectedly excited, searching with my eyes for something to shoot.Read more "The Increasing Apathy of Fashion: Sights From Seoul’s Fashion Week."
Mongolia does not lend itself to the 4×6 frame. It does not fold itself down to fit in the constrained rectangle of the flat image. It’s stubborn in that way. With Mongolia, like with everywhere else, I used my lens to interrogate the landscape, figuring out Mongolia by finding a way to fit it into a 4×6.Read more "From Mongolia – Form and Air"
This is what I’ve come to know Korea as and on these mornings this yellow pours out across the landscape coloring my world. It’s like a time-worn photograph that I’m trapped in; This is Korea to me. My hands escape inside my coat pockets so they don’t turn a deep purple in this cold bus. I press my nose down into my scarves and close my eyes.Read more "Yecheon Blues"
When I came to came to Korea I did not get it. I couldn’t find a way to make it work within my 2×3 frame. It was challenging coming from California, with such a drastically different look and feel to it. I knew this on some intangible level, I didn’t realize what that actually meant, and I didn’t realize I didn’t realize it.Read more "The New Year Retrospective"