From Mongolia – Form and Air

Mongolia does not lend itself to the 4×6 frame. It does not fold itself down to fit in the constrained rectangle of the flat image. It’s stubborn in that way. With Mongolia, like with everywhere else, I used my lens to interrogate the landscape, figuring out Mongolia by finding a way to fit it into a 4×6. 

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From Nepal – The Artist (Part Two)

Time continues to slow to a crawl. I’m stuck in my head. I can’t see a way out. I realize at this point I have no escape. I can only think of one option. Honesty is my Hail Mary. Honesty isn’t an exploitable weakness here, it’s the perfect retaliation. It’s the antithesis of their game, it allows me to run in the opposite direction of where they want me to go. But I need to be stubborn.

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From Nepal – On Arrival

This is where I see a man in my periphery, as my eyes darting back and forth trying to get a hold of the situation, look behind him across the street then he looks at me and says “Stephan?” But I don’t notice where he was looking at or why he did it; the mob he is a part of is distracting and it gets lost in the static of the situation.

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